STUD ME Please...
Apr 303 min
In the 1960s, the association of fashion and homosexuality began to diminish with the rise of sub-cultural fashions worldwide. It became acceptable for young men to embrace fashion, invest in clothing, and care about their appearance. Drawing inspiration from traditional American masculinity archetypes like the cowboy, lumberjack, and construction worker, a new dress style emerged. Referred to as "clones," these individuals adopted masculine attire such as work boots, tight Levi's, plaid shirts, short haircuts, and moustaches to emphasize and celebrate the male body shape. This era also saw the emergence of other masculine subcultural styles, including skinheads who sported shaved heads, boots, and braces, without being racist.
By the late 1960s, lesbians and gay men across the Western world began challenging their status as second-class citizens and the stereotype of effeminate "queens" or "butch dykes." Alongside the fight for equality and visibility, lesbians and gay men started reexamining their appearance. Some gay men had always dressed in a traditionally masculine manner, and in the early 1970s, individuals in New York and San Francisco drew inspiration from iconic American masculine figures like cowboys, lumberjacks, and construction workers for a fresh style. Referred to as "clones," these men embraced the most masculine clothing symbols available, such as work boots, fitted Levi's, plaid shirts, short haircuts, and moustaches. Their attire aimed to emphasize and celebrate the male physique. In the 1980s, gay men further expressed their masculinity by embracing muscular "gym" bodies and clothing that showcased their physique, along with the development of other masculine subcultural styles like skinheads who sported shaved heads, boots, and braces without promoting racism.
The 1980s and 1990s brought about a new wave of diversity in lesbian fashion. The erosion of traditional butch and femme distinctions, influenced by feminism and punk, along with the growing visibility of lesbians in society, sparked discussions on what lesbians could and should wear. A notable shift was the emergence of lipstick lesbians, also known as glamour or designer dykes. These dress styles departed from conventional butch or radical feminist looks, allowing openly gay women to embrace a trendy urban style that blended elements of lesbianism or masculinity with fashionable women's attire. Despite this, critics accused lipstick lesbians of concealing their true identities behind a facade of heterosexuality.
In the twentieth century, numerous prominent couture fashion designers were gay, despite societal expectations that they conceal or keep their sexuality private. Many of the most renowned figures in twentieth-century fashion were gay or bisexual, including Christian Dior, Cristobal Balenciaga, Yves Saint Laurent, Norman Hartnell, Halston, Rudi Gernreich (a founding member of the first American homophile organization, the Mattachine Society), Calvin Klein, and Gianni Versace.
In men's fashion, a noticeable shift occurred as designers replaced traditional tailors and gentleman's outfitters, showcasing a growing gay influence. Gay men's openness to experimenting with new ideas, styles, and fabrics drove designers like Jean-Paul Gaultier to seek inspiration from street fashion and gay clubs for their men's collections. Consequently, clothing choices influenced by the gay aesthetic began to impact fashion trends in both evident and subtle ways.
The emergence of the "new man" as a media persona in the 1980s stemmed from men's responses to significant social changes catalyzed by the second wave of feminism. This cultural shift made it socially acceptable for heterosexual men to take an interest in their appearance, attire, and grooming essentials.
Presently, it's entirely acceptable for heterosexual men to show an interest in fashion, grooming products, and lifestyle magazines. Public figures like soccer player David Beckham exemplify avid consumption of clothing while acknowledging the significant influence of gay men on fashion trends. In urban environments where homosexuality is widely tolerated and accepted, distinguishing between gay and straight men, as well as lesbians and straight women, based on their clothing choices has become increasingly challenging.
The historical journey of LGBTQ+ fashion intertwines defiance, acceptance, and remarkable influence. From the emergence of "clones" and masculine subcultures, celebrating traditional American masculinity archetypes like cowboys and lumberjacks, to the diversification of lesbian fashion inspired by feminism and punk, the evolution is a testament to authenticity and empowerment. Furthermore, the significant presence of gay designers in the fashion industry, such as Christian Dior and Gianni Versace, has left an enduring imprint on the world of couture. Today, as the boundaries between gay and straight fashion continue to blur, modern style stands as a symbol of inclusivity, diversity, and acceptance, reflecting the progress and unity of the LGBTQ+ community. #Equality #FashionHistory #LGBTQ+